Showing posts with label Chris Rock. Show all posts
Showing posts with label Chris Rock. Show all posts

Friday, November 16, 2007

My Reaction to the N-Word

So being a black female, one would think that I would be offended by "the N-word," for the standard garden variety bunch of reasons: 1) Using the word equates to a hate crime. 2) We have relationship with the word that reminds us of a brutal and painful history which lasted centuries. 3) My people have been oppressed with use of that word--yada yada yada.

(I even have a problem saying my people because it sounds so exclusive, like I'm drawing a circle in the sand and forcing others to stay out.) In fact, the key to ending racism is eliminating exclusivity. Erase the line. End racism by including everyone and accepting everyone as your own--as your son, as your daughter, as your mother, as your creepy uncle. I mean, c'mon, you tolerate his creepiness by inviting him back to all the family reunions. And you can't tolerate some other completely sane person of another background?)

If you're racist and you want to stop being racist (kind of like being fat and wanting to shed some pounds), then this is the first step you can take.

In fact, I will make that the title for another blog post, "Steps you can take to stop being racist." However, that's for another day.

Back to the N-word:
The way I see it, the moment that word leaves your mouth you've already placed yourself into a category---Idiot--- despite your race, ethnicity, and background. If you're white and you use it, you're an idiot. If you're black and you say it, still an idiot. Being black does not exonerate you from being an idiot if you use the N-word. You're just as bad as your stupid white brethren. You're not forgiven or given any leeway because you're black. Understand this rule, and you'll never be in the wrong in an argument.

I also I don't think the N-word should be buried by the NAACP. My comedian friend, Josh Homer, pointed out to me, that the NAACP is being hypocritical.

"Any organization with the word "colored" in it, isn't allowed to bury the N-word."

'Nuff said.

Lucy, you're a sellout.

Au contraire my friend. You're selling out every time you use that word. You're selling yourself and "your people" (cringing after writing that) every time you that word leaves your mouth.

One thing I've always heard is, you choose to be offended by that word and any other word that makes your blood boil. For some, that's a difficult realization. So I'll say it again. You choose what you will be offended by.. No one wants to admit being controlled by any one thing, especially a word. The way you see it, someone says the word and you react. But guess what? Newsflash: You have the ability to stop yourself from reacting. You can train yourself out of it--to not affect you, especially if you don't consider yourself one.

So I choose not to let it control me. It never has. I'm not offended by the word and at the same time I choose not to use it to purposely hurt others. It's kinda the same way I think of expletives. For example: I'm not offended by the c-word, but I also choose not to use it, either.

Overall, neither of those words define me. I barely feel comfortable using the words black or woman or comedian. You can find
more of my neurotic ramblings about this subject
at my friend's blog.

So how does this N-word relate to comedy?
Chris Rock has a very popular routine involves this very word. He has a very clever approach on this subject by never pointing fingers and saying, "You're a [fill in your choice of expletive here.]" He just makes a comparison by what should be and what shouldn't. He keeps them separate. Let's admire his finesse and grace as he dances through his routine.




Notice he does the Jeff Foxworthy thing. He leaves you (the audience) to assign the bad quality to someone. And as an audience member, you usually assign that quality to someone other than yourself. He'll say, "If you fit these characteristics, then you must be an idiot."

And what sane person is going to say, "Yeah, that's me! I'm the idiot! That sounds about right."

No, of course not. They're going to say, "I know someone exactly like that." And never point the finger at themselves. Thereby showing no blame---no accountability. He made his point and no one gets hurt.

Well, don't think Rock got away scot-free. Don't think he didn't receive any criticism for the "Black people versus N*ggers" routine--because he did. Why? Because he told the untold story, a story that is touchy, bordering offensive. He was opening up old wounds and pouring salt on them. It was criticism from one of our own. Faults that blacks felt should remain within the black community and not broadcast for the world to see. People felt violated because it was a private, unspoken truth. Personally, I don't think it's private if everybody in the room is thinking it. It's the Collective Consciousness, right? The cat's out of the bag and has been for a long time. The problem was no one was choosing to say anything--that is, until Rock.

So when Rock came out with this routine, I felt vindicated. I found myself not only laughing but nodding in agreement at the end of every punchline. Because I wasn't one of them. I'm not a "N-word." I knew I would never be one. I know the friends I associate with will never be. I knew my family members would never be.

My reaction to the N-word is that I don't have one. It's water off of my back. And I really think everyone (all black and white people) needs to take the stance. I think people give the word more power than it deserves. And once we stop using it, the clanging of the chains will fade. The wounds of the past will heal. We will finally be able to rise above it, so that we can forgive and forget, and move on. The problem is there are too many people that want to mire in the past. Those that don't want to forgive or forget or move on. Can't we all just get along?


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Tuesday, August 21, 2007

Series: Comedy as it relates to Sex (Part 3 of ?)

7) Various Rates of speed, Rhythm, and Timing in the delivery

Everybody does it differently. We all have varying techniques and idiosyncrasies that make us unique as comedians. And this means it's not always going to go over well with every audience or every audience member. Not everyone fits perfectly together. ("Ouch! Can you slow it down!?!")

Sometimes we have the slow even toned delivery, (i.e. Stephen Wright). And then the fast high-pitched delivery (i.e. Chris Rock). Or even the up and down rollercoaster-like delivery (i.e. Jerry Seinfeld).

Either way, your delivery isn't always going to match with each and every audience member. Not every single audience member is going to be turned on by your sauntering, pacing, and lapping speeds. You may lose a few members in the process. But that's okay. This comedy thing is not a lock and key process. Your going for majority rules. Everyone is different. And that's okay. That's why they invented [Insert Your Punchline here].


8) Rite of Passage - Loss of Virginity

Everyone has that pinnacle moment the first time they get on stage. It's defined as when the virgin finally pops his/her comedy cherry.

Audience: Ouch!

Virginal Comedian: (soothing voice) It only hurts for a little bit. Stay with me.

Once you do it the first time, suddenly you're sprung. Your hormones are raging! (You think: Where did this come from?) It felt amazing for you. You were psyched that you even got the joke in there!

And now you're on a high. You can't believe you did that! You can't wait to tell all of your friends! You want to share with them every single detail.

Your mind becomes like a steel trap. Everyone remembers their first time! Every gasp, every nervous feeling you had in the pit of your stomach. And yet you still performed. Granted, it was 5 minutes--but you still got to perform.

And something happens to you--a chemical change. Hormones that once lay dormant are now kicking into high gear. Every time you see a well lit stage, with that one, tall, enticing microphone, you get all tingly. You start to notice microphones everywhere. Microphones and stages you never knew existed. You want it. You want them all. And you want to get your jokes out there as much as possible. Even if there's no commitment involved. Even if it's a one-time thing (see previous post on One Night Stands), you still want to take part.

Once you get that experience underneath your belt, you're a changed person. You did it! And you are willing to do anything to do it again! But you want the next time to be even better--for you and for the audience.

But the hardest part about that, is coaxing the audience into doing it again, after that awful first time. Sure it was good for you, but it was painful for them. What's their incentive?

Finding another audience that is willing to bear with you to work out your set is tough! A willing audience who is aware of your post-virginal, pre-well-practiced-stud phase. An audience wants you to be experienced. They want you to be comforting. Not hurky-jerky, like the first time. It becomes a practice in and of itself.

And time passes... You begin to wonder when you'll get on stage again. So much time has passed between the first time and the second, you begin to question yourself a comic. Are you good enough? Should you even be doing comedy? Nobody wants to be there with you. Should you just give up? Which leads us into our next metaphor...


9) Sympathy performance

Even if an audience consists of one member, it's still a show. It maybe less gratifying than before. But at least there's someone there. At least, there's another warm body. You're lucky you even got them to agree to it in the first place. In order for you to perform, in order for it to be considered a show, you gotta have an audience member.

If a tree falls, and no one's there to listen to your comedy, was the joke ever really funny in the first place? The same applies to sex. You need at least one person there for it to apply. Otherwise it's just self-pleasure, right?


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Friday, May 18, 2007

Further Inspiration...

...If there’s a model for how to pursue being a comic right now, it’s him....

I came across this post on the comedy blog/website Dead Frog. I read this and audibly sighed while reading it. It was more of a mental "ah ha!" reinforcing what I had instinctively known all along. Okay. Bear with me as I try to describe this. Have you ever had a gut feeling, but couldn't assemble the feeling into words? Perhaps, the thought or feeling vanquished too soon for you to build up the momentum to utter the thematic relevance. But later on, you then read a few choice words (either written on a billboard, blog, or the back of someone's ass pants) and the profound message justified what you were feeling all along, thereby giving you the strength to move forward.

Well, that's how I felt when I read this:


I’ve heard Louis CK describe how he’s been following Chris Rock‘s model of treating the shows between specials like training for prize fights. If Louis C.K. can maintain the high bar he set in his special Shameless, he and Chris are on to something. If there’s a model for how to pursue being a comic right now it’s him.


I guess I haven't gotten to the prize fight stage, but I aiming for it. Thank you Louis and Chris. I'll get there someday... sooner rather than later!

~Lucy

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Sunday, April 15, 2007

The College Circuit

It seems like it's every comedian's dream to work the college circuit.

Think about it.

You have a captured audience with readily disposable income and time! It's this college demographic every comedian wants in order to create a name.

Adam Sandler1 and his famous recordings. (I'm surprised Wikipedia doesn't give greater credence to his comedy albums. Because really, on the strength of his soundbytes passed from dorm room to dorm room is how he gained serious interest. I remember every drunk frat boy in the 90s quoting that album. It's the same way the Beastie Boys got firmly planted on commercial terra firma.)

So these recordings catapulted him into the comedy standard and the college circuit. Yes, he was on SNL, but I don't think it was solely SNL that did it.

The formula is as follows:
SNL + some other commercial medium = Comedic stardom

Adam Sandler + Recordings = Adam Sandler as we know him today.
Chris Rock + Bring the Pain = Chris Rock as we know him today.
(I guess you can include, Mike Meyers and Will Ferrell, too. But I don't regard them as standup comedians.)

And now the most recent "comedian" (and I use the term lightly) to conquer the college circuit is Dane Cook2.

Dane Cook's people (and perhaps he himself) are marketing geniuses, bypassing the entire SNL formula.

Personally, I don't think Dane Cook's comedy is that good (smart, witty, intellectual, original, etc.) But he really SELLS the joke. I'm talkin' Hulk Hogan / "Macho Man" Randy Savage sells it! Watch these clips and then think of Cook's comedy! Don't they remind seem awfully similar? I believe Cook took a few pointers from WWF/WWE.

Part of Dane Cook's great success can be linked to the guerrilla marketing behind his website. (Talk about pushing it to the Nth Degree.) Through that he garnered his devoted college following. I'm sure viral marketing was involved as well. (Of course, this age group being the perfect demographic-- having time, money, and email accounts.) Plus, he's white and male. I'm sure it's easier to garner the frat audience than say if you're black and female (i.e. Wanda Sykes3, Aisha Tyler.)

1 Adam Sandler [Official Site | Happy Madison Myspace] Wikipedia [Return To Entry]

2 Dane Cook [ Official Site |MySpace | Wikipedia] [Return To Entry]

3 Wanda Sykes [Official Site | Wikipedia
Semi-Official MySpace Page][Return To Entry]

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