Comedy and Humo(u)r in 2020 (Part 2 of 2)

So now that you've had a full weekend to digest Part 1 of this series, perhaps we can try and make sense of what we read.

Personally, I found the book so far very difficult to read. And I've noticed from some comments, some of you have found that to be true as well. I've found with this blog, I make concerted efforts to make my point very clear. I remember sophomore year English writing class, "Clarity is key!"

This book doesn't focus on clarity but more on ideas--the abstract. This makes for a difficult read. I also wonder if it's because I'm not psychic nor do I have Nostradamus-like visions of the future. The words may be written via stream of consciousness, which makes it hard to follow.

But I do believe, if I am to be a great performer, a great entertainer, a great comedian, and it takes 10 years to prepare (2007-2017), by the time it hits 2020, I should be well-adapted by that time.

Maybe in order to better prepare I should be paying attention to what is NOT funny in 2020:

Today people laugh at others' ideas, labeling them ridiculous. Not so, in 2020. All have a right to be, even ideas. Laughing at something is a way of distancing.

Well, by 2020 people relate totally differently to both ideas and people, relating to ideas just like people. They don't judge ideas, for example, allowing them to flow, honoring them for what they are. Because of this, although it might appear they are giggling at something at times, they are not.

When people laugh in 2020, it is because they are actually identifying with something much deeper. Their laughs are fueling more advanced ideas... for within laughter is insight, a potent evolutionary force, which people can feel. After laughing, it is not the least bit unusual for a person to comment on his insights...in addition to being a great healing tool in 2020, laughter is also a great learning tool.

I like what she says about laughter being a great learning tool. And if you have been paying attention to the smallest bit in this blog, then you would know that I intend to use my comedy as a learning tool.

So what it humo(u)r defined as 2020, then?

...looking at humor from the perspective of people in 2020, I would "define" it as such: Humor is everywhere; it is not just what makes people laugh. It is the laugh, too. It is the person who espouses the humor, it is the listener. It is the mother who influenced the child in what he knows and feels, the joke teller, so to speak. It is the resultant behavior because of the humor. It is everything humor touches; it is everything it doesn't touch. It is not just the joke. It includes all time frames, before, during, and after the immediacy of the humor. Humor is the combined laughs of many; it is the fuel for the jokes or the truths that make up the jokes. It is life itself because life makes up the humor.

As if this comedy thing wasn't confusing enough?

Any thoughts? Discuss amongst yourselves...
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Comedy and Humo(u)r in 2020 (Part 1 of ?)

So I'm currently reading this book about life in 2020.
(Yes, you heard me--life in 2020.) To para-quote that chick from Talladega Nights "Lucy Dee is not a thinker--Lucy Dee is a planner!" So yeah, I'm planning ahead. You know---just in case.

Anyway, the book is called, Conversing with the Future: Visions of the Year 2020, by Jenna Catherine.

Okay, Lucy, what's up this time? Why is this book relevant?

Hold your horses! I was just getting to that, oh dear anxious blog reader.

And Lucy, has anyone ever told you that you're crazy?

yes. and your point?

(pause)

I picked up the book because I am always interested in the unexplained. And this book mentions what humo(u)r will be like in the future. If I'm a wise comedian, I should be prepared, right? I'm sure you want to be good at a job you love and, ideally, you wish to remain there for as long as humanly possible.

The author mentions that it's important to know the audience, not unlike today. And instead of you trying decipher my normally taxing posts, I'm just going to quote the text. Here the author differentiates between the way the audience perceives humor today, versus how an audience would in 2020 - page 66:

A performer in 2020 jokes about something, an embarrassing situation...he finds himself in. Today a person would view it as such: ..."Oh, how funny. That is so embarrassing; I've been there myself," but that would be the degree of her awareness.

A person in 2020 would be aware of much more...in addition to identifying with the embarrassing situation, she might be aware of true motivation of the performer (not just that he wants to get laughs), perhaps something about his purpose in life, something about the performer's past, including emotional experiences, his current feelings, maybe even his feelings in the future. She would know instantly and intuitively--as is the case with all of these observations--the effects the performer is having on herself, as well as on others in the audience. In other words, people are not just aware of what is happening in the current moment to themselves and others in the audience but also something about the entertainer's "past" and "future," bringing it into the now, as they view him.

So what about the entertainer in 2020? That's what we comedians need to know about! How does the comedian need to function? - page 66:

...[the] same broad perspective also applies to the entertainer himself, in 2020. He too sees the world through many eyes, and many time frames. In fact, if he is a highly skilled entertainer, his perspective is probably even broader than that of his audience members. Today, on-stage entertainers definitely prepare ahead of time but also rely on just "winging it." In 2020, they really wing it. Since they are highly aware of their audiences' perspective, they are able to use that energy--well, for their acts. They integrate the thoughts and feelings of their audience members right into their routines---and on the spot. In some ways, the audience becomes the entertainment. But I am not just saying they are highly skilled improvisational performers, I am saying they are vastly more aware than the same kinds of entertainers today.

What about the laughter itself? How is that characterized? - pages 66-67:

Today, blurting out laughter uproariously whenever one feels like it during a performance might be considered rude. Not so in 2020... a person laughs, another laughs, then another. It's all very spontaneous, even raucous at times. Though not experienced like, "waves" in a football stadium (groups are much smaller in 2020, allowing for more intimacy) waves of sorts are experienced. Not distracting but soothing, people in the audience feel the building of a rhythmic, harmonious sound wave while remaining totally focused on the performer...not only focused--but at one with him. So, by 2020, it's not as if they have no respect for the entertainer, it's just that they know they have a part in the totality of the act. In fact, it would not be unusual for the members of the audience to join the the performer on stage, turning it into a dynamic group experience.

Wait a minute! Did she just mention the audience members in 2020 will join the comedians onstage? Didn't I just spend the better half of two weeks writing about WAYS to AVOID getting the audience member on stage?


What are your thoughts?


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